In a roundabout way, Cassius compares Caesar to a giant. This literary device was used in act 1 scene 1 when Marallus says “answer me directly “and the cobbler responds by saying “a mender of bad soles”.This is a pun on soles/souls as the soles of the shoes and the human souls. and find homework help for other Julius Caesar questions at eNotes Get an answer for 'List three animal metaphors used in Julius Caesar, act 1, scene 3.' It is where Brutus reflects about tyranny, power and its nature, and Julius Caesar. Act 2 Scene 1 in William Shakespeare’s play, Julius Caesar is a very important one. William Shakespeare's play "Julius Caesar" contains a pun in which a cobbler plays with the implied double meaning of the word "soles," which is a homophone for "souls." Situational irony is shown in Act I when Julius Caesar, in his arrogance, ignores what the soothsayer tells him. In contrast, Caesar refuses to read the letter that Artemidorus tries to hand him in Act III, scene i, as he is heading to the Senate. Metaphor CASSIUS: Those who would quickly build a mighty fire Begin it with weak straws. How that might change his nature, there's the question. What trash is Rome, What garbage, when it lets itself be fuel To light up so vile a thing as Caesar? He would be crowned. Flavius and Murellus then prepare to remove the imperial crowns placed on all the statues of Caesar and next decide to drive the commoners back into their houses in an effort to prevent Rome from celebrating Caesar's victory. If you'ver read the third act, and you know the definitions of personification and methaphor you should be able to see some examples of their use in the play. We are two lions littered in one day, Julius Caesar: Novel ... Antony's funeral oration contains one of the most famous examples of irony in all ... What are some examples of simile in Act 1 Julius … An example of simile in Act 1 of Julius Caesar can be found in scene 2. Read the excerpt below from act 2.1 of The Tragedy of Julius Caesar and answer the question that follows. And Caesar’s spirit, ranging for revenge, With Ate by his side come hot from hell, (3.1.285–286) This is an allusion to Ate, the ancient Greek personification of recklessness and folly, who entices those she encounters to make rash and reckless decisions. And for my part I know no personal cause to spurn at him, But for the general. It is the bright day that brings forth the adder, Danger knows full well That Caesar is more dangerous than he. He also receives an anonymous letter asking him to “Speak, Strike, Redress!” against Caesar for the good of Rome. Predisposed to ignore personal affairs, Caesar denies the letter any reading at all and thus negates the potential power of the words written inside. Act One, Scene Two. BRUTUS: It must be by his death. 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